whose trail
Tight- rope wate-r sod
oak leaf on spread thistle point
its own fairytale
prick to sleep
to dissolve to
Swirl
swirl of mud in upraised leaf water
swirl of ash vapour inside and outside body
swirl and moisture
folding in and under
dissolve and form and dissolve
bare hedge opening
walk wide legged, soft footed
ground sogging at each step
boot, foot, rooting upwards
my legs allow the feet to go
mud descent
dry hooked hawthorn
wind blown off course
stand firm and low
allow mud slippage
head caught, hand caught
gather-puddles
Trees
torn off branches
take large ones and untangle
hook them on body twice
one falls
a piece stays like hair
other falls on top
a graceful shaping of lines
a coupling
the loose part
some forgotten memories
I hang on living low branch
to be in air
the next broken branch
I hook it hangs
the last larger one
I push up through empty branches till it sticks
move away
three hanging limbs
then the large one falls to earth
as winded trees do
not meant to stay
or try to mend
the broken branches
so many bits to break off
what is left
the autumn tree enjoying the sun
and deep down replenishing its roots for spring
Place a wind fallen branch on each wooden fence post
balanced in the middle so they sway
building my own trees
my inability to recreate nature
I imitate it
Mending?
making with broken bits
man -tampered
wind -witched
Hand -gathered
How to repair
I build a row of trees
from broken pieces
probably the only way
in this world’s story
dead vines
seem fragile
these entanglements
are strong and ungiving
they want to hold on
Tuesday, 9 January 2018
Saturday, 5 November 2016
October 30th Halloween
Clare's notes
Radical responding
Respond to everything outside the self and body
Try and have the body disappear
Only respond ( Only connect E M Forster)
to outward elements
What does the air, earth, water around you inspire
What do the trees, sky, road, sound, weather, shapes, animals, insects, grass, leaves, stones, colours sing to you
What music do they all speak to you
all senses( see, hear, touch, smell, taste) but in response
Examine that music, that unworried form
How do all theses things ’sing’ (back) to you
William Blake’s Seeing angels in all the trees, visions
In place/meadow respond to other dancer, see them as of the place, respond to that
in poems of movement, music of movement
Put your thoughts into the natural world, see what it thinks
Quotes
Martha Graham via Zadie Smith’s new book about writing and dancing
There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. and if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. it is your business to keep it yours clearly and directly, to keep the channel open. MG
The Wind
It’s like the light, -
A fashionless delight
It’s like the bee, -
A dateless melody.
It’s like the woods,
Private like the breeze,
Phraseless, yet it stirs
The proudest trees.
Emily Dickinson
Basho: Go to the pine if you want to learn about the pine, or to the bamboo if you want to learn about the bamboo. And in doing so, you must leave your subjective preoccupation with yourself. otherwise you impose yourself on the object and do not learn. Your poetry issues of its own accord when you and the object have become one - when you have plunged deep enough into the object to see something like a hidden glimmering there.
Radical responding
Respond to everything outside the self and body
Try and have the body disappear
Only respond ( Only connect E M Forster)
to outward elements
What does the air, earth, water around you inspire
What do the trees, sky, road, sound, weather, shapes, animals, insects, grass, leaves, stones, colours sing to you
What music do they all speak to you
all senses( see, hear, touch, smell, taste) but in response
Examine that music, that unworried form
How do all theses things ’sing’ (back) to you
William Blake’s Seeing angels in all the trees, visions
In place/meadow respond to other dancer, see them as of the place, respond to that
in poems of movement, music of movement
Put your thoughts into the natural world, see what it thinks
Quotes
Martha Graham via Zadie Smith’s new book about writing and dancing
There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. and if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. it is your business to keep it yours clearly and directly, to keep the channel open. MG
The Wind
It’s like the light, -
A fashionless delight
It’s like the bee, -
A dateless melody.
It’s like the woods,
Private like the breeze,
Phraseless, yet it stirs
The proudest trees.
Emily Dickinson
Basho: Go to the pine if you want to learn about the pine, or to the bamboo if you want to learn about the bamboo. And in doing so, you must leave your subjective preoccupation with yourself. otherwise you impose yourself on the object and do not learn. Your poetry issues of its own accord when you and the object have become one - when you have plunged deep enough into the object to see something like a hidden glimmering there.
Friday, 23 September 2016
18 September 2016 Skin
Sophia's Photos
The skin of the trees show its medicine.

Texture protection
Our skin provides a nourishing home to a 1000 species of bacteria
The skin of the trees show its medicine.
The strong muscular bark of Hornbeam is for stress, to relax.
The flaking skin of the Silver birch is for skin conditions as exma .
The rough wrinkly look of the skin of the Oaktree is for toning and is highly astringent.
Restriction
Sensation
Touch 
Texture protection
Smooth, rough, spiky, fleshy, soft, hard,shiny, vibrant, dull, fresh and dry skin textures
Looking in through the layers
Our skin provides a nourishing home to a 1000 species of bacteria
Researchers say that "hairy, moist underarms lie a short distance from smooth dry forearms, but these two niches are as ecologically dissimilar as rainforests are to deserts."
Sunday, 6 March 2016
Wednesday, 13 January 2016
13th December 2015
Bee's words and photos
Ivy
Bushy, transforming bare tree into giant prowling armadillo
Woody arteries rivuletting up and round tree trunks
Ivy
Bushy, transforming bare tree into giant prowling armadillo
Woody arteries rivuletting up and round tree trunks
Monday, 19 October 2015
18th October 2015
Clare's words
damp dew on leaf reaches my hand
I take moisture from you
leaf, with your eye looking at water from the bridge
finger -touch rain on
each leaf, bramble, rose, bracken, beech
moisture, like source, like that
oh tall fizzled oak I watch your brown leaf fall and come to ground and bring it as one more
deer races silently across our path, intake of breath
messenger guide
soundless joy touched by light
we animal to earth under us and breathe the same air and moment
swift beauty
I saw the deer slide by and be with us a mutual reckoning and acceptance
I lie down where deer crossed to be in the air of its feet sliding though, sharing
a de-lived deer carcass goes by red and headless on a quad bike
life and death of a deer
wildness, a funeral march then after the birth of light
cars go by like strange mourners
now keen, bend with sway as I think of lying in the tear grass, sky tear, tongue tear forehead sea, eyelids wetten
my face is covered in ground tears, my eyes carry my sea out
I lay my hand on soil
a mole’s earth
it is warm as heated skin
I sigh with surprise
I trip on the shape of a horseshoe and feel the horse in my body
birds, imagine your eyes on me as I sway
flower of purple I take you with gratitude to crown what is missing
a double leaf from the long open crossing of the flower meadow empathy embodied in their mutual hold
I lie on the road to get close to a puddle place my fingers in the cool water watch crows high up in the reflection, place the mud on my clothing, hands earthed now, carrying their skin too
one bindweed lifeless and one pure white a n offering of the present moment
I saw a leaf falling caught by another held in a simple rocking
horsetails now I know they are prehistoric and a tiny dinosaur land rises to my left
when I walk like this I see every bird that crosses my path
and my breath flutters with them
are they always there and I not able to see them
thank you seeing warriors accompanying me, you comrades
open all my eyes, sharing this is as simple as a shared instance
or as wide as the world
open cracking crosses borders even the borders we don’t share or understand
Bee's Words
the others are rubbing their waterproof clothing and I hear the flapping of birds wing
I rub my own palms and my skin turns to fabric
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